This volume brings together a range of voices from across the global environmental media community to build a comparative international set of perspectives on 'green' film and television production.
Drawing on over 40 years' combined experience, authors Jennifer A. Haire and Gilana M. Lobel map out a career path into the industry by providing comprehensive practical information designed specifically for individuals pursuing the entry level role of the Office PA.
Drawing from five years of extensive interviews with female producers, writers, and directors at different stages of their careers, Courtney Brannon Donoghue examines how Hollywood business cultures "value" female-driven projects as risky or not bankable.
This book engages familiar figures, such as Denis Villeneuve, Xavier Dolan, Sarah Polley, and Guy Maddin, in the same breath as small-budget independent films, documentaries, and experimental works that have emerged in the Canadian scene. Fuelled by close attention to the films themselves and a desire to develop new scholarly approaches, Canadian Cinema in the New Millennium models a renewed commitment to keeping the conversation about Canadian cinema vibrant and alive.
This in-depth study of one of the twenty-first century's most acclaimed films, The Social Network: Youth Film 2.0 considers the contribution of David Fincher and Aaron Sorkin's film to the understanding of 'youth' in a contemporary, digital age. The Social Network locates the film within the broader visual styles and fashion codes of a late twentieth- and early twenty-first-century consumer culture that incorporates and commodifies rebellion and dissent: qualities that underpinned Facebook's emerging, paradoxical identity as at once the epitome of 'hacker' culture and also a multi-billion-dollar global company.
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