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Books We Recommend
Full to the Brim with Fizz Gin by Matthew Butler-HartAn all-encompassing guide for any young actor, writer, director, or producer on making it in the modern independent movie business--from a team that's been there and done that.
Danger on the Silver Screen by Scott McGeeTurner Classic Movies presents a heart-racing look into the world of stunt work featuring films that capture the exhilaration of a car chase, the comedy of a well timed prat fall, or the adrenaline rush from a fight scene complete with reviews, behind-the-scenes stories, and hundreds of photographs. Buckle in and join TCM on a action-packed journey through the history of cinema stunt work in Danger on the Silver Screen. This action-packed guide profiles 50 foundational films with insightful commentary on the history, importance, and evolution of an often overlooked element of film: stunt work. With insightful commentary and additional recommendations to expand your repertoire based on your favorites, Danger on the Silver Screen is a one-of-a-kind guide, perfect for film lovers to learn more about or just brush up on their knowledge of stunt work and includes films such as Ben-Hur (1925 & 1959), The Great K&A Train Robbery (1926), Steamboat Bill Jr. (1928), The Thing from Another World (1951), Bullitt (1968), Live and Let Die (1973), The Blues Brothers (1980), Romancing the Stone (1984), The Matrix (1999), The Bourne Supremacy (2004), John Wick (2014), Mission: Impossible--Rogue Nation (2015), Atomic Blonde (2017), and many more.
Multi-Camera Cinematography and Production by David Landau (Editor); Bruce FinnA how-to book on the art, craft and practice of TV/video/streaming cinematography for multi-camera shooting. This book is written for anyone wanting to film, direct or produce multiple camera productions. Lighting Directors, Directors of Photography, Camera Operators as well as Directors, Producers and Production Managers will all find valuable information that will help them do their job and accomplish their goals of effectively filming with more than one camera at the same time. This book could be seen as an intermediate to advanced media production course book for colleges. It is also meant to give insight and inspiration to those starting out their professional careers in multi-camera productions. The text covers advice for producing and filming content using two or more cameras in many genres including Sitcom, Stand-up, News, Talk Show, Interview, Reality, Corporate Video and Indie Movies, with budgets both big and small, by two award winning professional industry cinematographers/lighting directors with over 30 years of experience each.
This volume brings together a range of voices from across the global environmental media community to build a comparative international set of perspectives on 'green' film and television production.
Drawing on over 40 years' combined experience, authors Jennifer A. Haire and Gilana M. Lobel map out a career path into the industry by providing comprehensive practical information designed specifically for individuals pursuing the entry level role of the Office PA.
Drawing from five years of extensive interviews with female producers, writers, and directors at different stages of their careers, Courtney Brannon Donoghue examines how Hollywood business cultures "value" female-driven projects as risky or not bankable.
This book engages familiar figures, such as Denis Villeneuve, Xavier Dolan, Sarah Polley, and Guy Maddin, in the same breath as small-budget independent films, documentaries, and experimental works that have emerged in the Canadian scene. Fuelled by close attention to the films themselves and a desire to develop new scholarly approaches, Canadian Cinema in the New Millennium models a renewed commitment to keeping the conversation about Canadian cinema vibrant and alive.
This in-depth study of one of the twenty-first century's most acclaimed films, The Social Network: Youth Film 2.0 considers the contribution of David Fincher and Aaron Sorkin's film to the understanding of 'youth' in a contemporary, digital age. The Social Network locates the film within the broader visual styles and fashion codes of a late twentieth- and early twenty-first-century consumer culture that incorporates and commodifies rebellion and dissent: qualities that underpinned Facebook's emerging, paradoxical identity as at once the epitome of 'hacker' culture and also a multi-billion-dollar global company.
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