African/Black Nova Scotian Resources: The African Diaspora
These are resources on African/Black Canadian & Nova Scotian history, communities, & culture, as well as important resources on people of African descent. It was developed in consultation with members of the African/Black Nova Scotian community at NSCC.
These journals are available for current NSCC students and staff. If you are working from home, you'll be asked to sign in using your w# and password, the same as you use for your NSCC email.
As a bilingual, biracial man, straddling Black and white, English and French Canada, Stephen Dorsey lives in a world of dualities. In his deeply personal and insightful debut, he offers readers intimate and unfiltered access to his lived experience of anti-Black racism around the world, including Canada, the United States, and Europe.
Drawing on film, fiction, music, and oral history, Marcus Anthony Hunter and Zandria F. Robinson trace the Black American experience of race, place, and liberation, mapping it from Emancipation to now. As the United States moves toward a majority minority society, Chocolate Cities provides a provocative, broad, and necessary assessment of how racial and ethnic minorities make and change America's social, economic, and political landscape.
Mecca Jamilah Sullivan ventures into the unexplored spaces of black women's queer creative theorizing to learn its languages and read the textures of its forms. Moving beyond fixed notions, Sullivan points to a space of queer imagination where black women invent new languages, spaces, and genres to speak the many names of difference.
How can scholars use digital tools to better understand the African diaspora across time, space, and disciplines? And how can African diaspora studies inform the practices of digital humanities? These questions are at the heart of this timely collection of essays about the relationship between digital humanities and Black Atlantic studies, offering critical insights into race, migration, media, and scholarly knowledge production.
In this paper, we examine aesthetic modalities and intertexts of poetry from the francophone and anglophone African diasporas through a concerted analysis of the structural and stylistic elements of the poetic discourses of créolité in the Caribbean and Hip-hop in North America.